Education
2005
MFA, Portland State University, Portland, Oregon
1995
BFA, Western Michigan University, Kalamazoo, Michigan
Selected One and Two Person Exhibitions
2022
Archer Gallery, Clark College, Vancouver, WA “Of a Setting Sun”
2020
Charles A. Hartman Fine Art, Portland, OR “Quit the Night! Seek the Day!”
2019
Johansson Projects, Oakland, CA “Her Kind”
2016
Oregon State University, Fairbanks Gallery, Corvallis, Oregon “Shapes and Séances”
2015
Johansson Projects, Oakland, CA “Coastal Coven”
2014
Boise Art Museum, Boise, ID “Vampires and Wolf Men”
2012
Portland Art Museum, Portland, OR “Vampires of Oregon”
Selected Collections
The Hallie Ford Museum of Art
The Boise Art Museum
The Portland Art Museum
Microsoft Corporation
Seattle Portable Works Collection
Portland Portable Works Collection
Selected Grants, Awards, Commissions, Residencies
2023
Yucca Valley Material Lab and Iris Projects Residency, Los Angeles and Yucca Valley, CA (with support from The Ford Family Foundation)
2022
Art commission for The Eugene Symphony in collaboration with The Jordan Schnitzer Museum of Art
2019
Facebook Artist-in-Residence Program, Mural Commission in Seattle, WA
Career Opportunity Grant Awardee, Oregon Arts Commission, Salem, OR, in partnership with The Ford Family Foundation
Sun Valley Center for the Arts Residency, Sun Valley Center, Hailey, ID
2015
King County Library Commission, Renton-Highlands, WA
2012
Individual Visual Artist Fellowship, Oregon Arts Commission, Salem, OR
2005
Grantee, RACC Individual Artist Project Grant, Portland, Oregon
Painting’s Edge Residency, Idyllwild, California (also 2004)
Selected Group Shows
2021
Jordan Schnitzer Museum of Art, Eugene, OR “Metamorphosis: Visualizing the Music of Paul Hindemith”
2019
Patel Gallery, curated by Kim Dorland, Toronto, Canada
2018
ANNEX at M+B Gallery, curated by Jay Ezra Naysaan, Los Angeles, CA
Sun Valley Center for the Arts, with Charles Burchfield, Katy Stone and Hayley Barker, Ketchum, ID, “Burchfield’s Influence”
2017
Portland International Airport, curated by Wendy Given, Portland, OR, “Luminous Nature”
2013
Everhart Museum, Scranton, PA, curated by Nezka Pfeifer, “The Blood is the Life: Vampires in Art and Nature”
2008
Johansson Projects, Oakland, CA, “Portals”
2006
Addison Ripley Fine Art, Washington D.C. “Landslide”
Hayworth Gallery, Los Angeles, CA, “Fevered Days Like Waters Cool”
University of Southern California, Los Angeles, CA, “Echo, Filter, Mod”
Portland Art Museum, Portland, Oregon, “2006 Oregon Biennial”, Jennifer Gately, Curator.
2001
Bellevue Art Museum, Bellevue, WA, ”2001 Pacific Northwest Annual”
Tacoma Art Museum, Tacoma, WA, “Pleasure Craft”
Portland Art Museum, Portland, OR, “2001 Oregon Biennial”, Bruce Guenther, Curator.
Selected Bibliography
Allan, Lois. “2001 Oregon Biennial at the Portland Art Museum,” Artweek, July/August 2001. 12-13.
Bigman, Alex. ‘Anna Fidler’s Vampire Culture’, East Bay Express, Oakland, 18 July 2012.
Duford, Daniel. ‘’2006 Oregon Biennial at the Portland Art Museum.’ Artweek, October 2006, Volume 37 Issue 8. Pg. 18-19 (work on cover).
Eisenhart, Mary. ‘Vampires and Wolf Men Opens Friday.’ San Francisco Chronicle, 3 July 2012.
Gately, Jennifer. “With Fresh Eyes.” In 2006 Oregon Biennial (catalogue), Portland Art Museum, Oregon. 10-11.
Gildorf, Bean. “Energy and Mass,” Fiber Arts, Summer 2009. 34-35.
Guenther, Bruce. “Repeated Exposures.” In 2001 Oregon Biennial (catalogue), Portland Ant Museum, Oregon. Pg. 14.
New American Paintings: Pacific Coast Edition. Wellesley, Massachusetts; Open Studio Press, 2005.
Morris, Barbara. ‘Portals’ at Johansson Projects.’ Artweek, July/August 2008.
Roberts, Prudence. “Mistique: New Works on Paper by Anna Fidler,” Artweek, September/October 2007. Volume 38 Issue 7. Pg. 21.
Taylor, Sue. “Anna Fidler at Disjecta.” Art in America, June 2010, Pg. 19